{"id":2000,"date":"2023-02-17T21:33:57","date_gmt":"2023-02-17T20:33:57","guid":{"rendered":"https:\/\/andriesbogerd.nl\/?page_id=2000"},"modified":"2023-03-09T13:32:16","modified_gmt":"2023-03-09T12:32:16","slug":"orgelpark-amsterdam","status":"publish","type":"page","link":"https:\/\/andriesbogerd.nl\/?page_id=2000","title":{"rendered":""},"content":{"rendered":"\t\t
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Orgelpark Amsterdam 11 maart, 14.15 uur<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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 <\/span><\/h6>\n
Orgeldag rondom 150 jaar Max Reger (1873-1916) met Jos van der Kooy en studenten van het Koninklijk Conservatorium Den Haag. <\/span><\/h6>\n
Programma:<\/h6>\n
Op<\/span>ening
<\/span><\/em>Welkom en toelichting \/ Kort gesprek met Jos van der Kooij<\/span><\/span><\/h6>\n\n

 <\/span><\/p>\n

Deel 1
<\/span><\/em>Leonard Seeleman: Phantasie und Fuge \u00fcber B-A-C-H (opus 46, 1900) 
<\/span>Geurt van Lagen: “Wie sch\u00f6n leucht\u2019t uns der Morgenstern” (opus 40\/1, 1899) 
<\/span>Andries Bogerd: Phantasie und Fuge in d-moll (korte versie, opus 135b, 1915) 
<\/span>Luuk Schuurman: “Wachet auf, ruft uns die Stimme” (opus 52\/2, 1900) <\/span><\/span><\/h6>\n\n\n\n\n

 <\/span><\/p>\n

Gesprek
<\/span><\/em>Aanzet tot gesprek, verder te voeren in de pauze (de pauze begint omstreeks 16.00 uur)<\/span><\/span><\/h6>\n\n

 <\/span><\/p>\n

Deel 2
<\/span><\/em>Jo\u00ebl Boone: “Halleluja Gott zu loben” (opus 52\/3, 1900) 
<\/span>Alb\u00e8rt Driessen: Introduktion, Passacaglia und Fuge (e-moll, opus 127, 1913)  
<\/span>David Strijbis: “Ein feste Burg ist unser Gott\u201d (opus 27, 1898) <\/span><\/span><\/h6>\n\n\n\n

 <\/span><\/p>\n

Gesprek
<\/span><\/em>Luisteraars en musici gaan in gesprek<\/span><\/span><\/h6>\n\n

 <\/span><\/p>\n

Slotmuziek
<\/span><\/em>Micha\u00ebl Verniers: Introduktion und Passacaglia (d-moll, 1899) <\/span><\/span><\/h6>\n\n
Meer info: <\/span>Orgelpark<\/a><\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Orgelpark Amsterdam 11 maart, 14.15 uur   Orgeldag rondom 150 jaar Max Reger (1873-1916) met Jos van der Kooy en studenten van het Koninklijk Conservatorium Den Haag.  Programma: OpeningWelkom en toelichting \/ Kort gesprek met Jos van der Kooij   Deel 1Leonard Seeleman: Phantasie und Fuge \u00fcber B-A-C-H (opus 46, 1900) Geurt van Lagen: “Wie sch\u00f6n […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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